Saturday, March 28, 2015

Suez Canal in the dark again.

5949 This is the picture I took using Canon's 'Night Shot' function.  It must manipulate the pixels because I couldn't see the boat that clearly with my eyes.  The only light was being reflected from the deck lights.
5952 This is the port on the Egyptian side at the southern entrance to the Suez Canal as you approach it.
5955 The sand you see in the foreground is the Egyptian side of the canal.  The other side is the Sinai Desert, also Egypt, and has a lot more sand and no buildings.
5959 This is Messina, Italy as we are approaching the Messina Strait.  Cloudy and rainy.
5978 This it the tower that holds the electric lines going to Sicily from the mainland.  There's a twin tower on the mainland side.  So, you say, what's the big deal?  I've seen plenty of those.  Well, in design, yes but in height, probably not.  At the left base of the tower you can see a short cylinder with black and white stripes.  That's a pretty tall lighthouse.  Gives you some scale for the tower.  Those houses by the trees in the foreground are three stories tall and they are much closer to me than the lighthouse and tower.
6003 & 6008 are both a rainbow over Naples.  You can see all the color stripes from red to violet.  I couldn't decide which showed it best so I sent both.
 

March 24 – At Sea-Red Sea.  Today we are headed for the Suez Canal.  Coming south we had to transit the canal at night so those who had never been through were disappointed.  This time we're hoping for a daylight transit.  D and I have been through in the daylight and after a while it's pretty boring.  One grain of sand looks pretty much like another.  I stayed out all day and did see some military equipment and occasionally something of interest but most people went inside after an hour or so.  It was pretty hot when we came through on that trip.

 

We just got the word that we will be joining a convoy north through the Suez tonight.  We will start out in darkness but will exit the other end while it's light.  I went outside while we were entering the canal.  Actually, although you don't see much detail, the lights of the facilities and factories is much prettier in the darkness.  I used a feature of my camera that I hadn't used before, Night Shot.  It's pretty amazing.  You take the photo and the screen goes blank while the processor takes guesses at what each pixel should look like and then renders the photo.  I took a picture of the canal's pilot boat in the total darkness.  The only light was from the Rotterdam's deck lights.  In the photo I can see the ship better than I could with my eyes.  I'll have to find more applications for this setting.

 

Our entertainment was Journey South, a pair of Englishmen from the North of England.  For some reason they call people from that area Jordies (sp?).  They do have a distinctive accent and way of talking.  It does not sound as sophisticated as the typical English accent and I'm given to understand that Londoner's and the people of the south look on them are hicks.  I have to admit that their use of verbs and plurals is not standard English either British or American.

 

They were excellent.  Good mix of music and very good voices.

 

March 25 – Through the Suez Canal and At Sea on the Mediterranean Sea.  We did come out of the canal while it was light.  Everyone was pleased with that.  Early breakfast in the Lido was very crowded as all the canal watchers came straight to breakfast after we cleared Port Saied. 

 

The Med is a bit stirred up at the moment.  The gale force winds are creating some rollers, breaking waves and the accompanying white caps.  We're taking the swell and wind from the stern so you hardly notice that it's rough. 

 

After two months of very hot weather it's 51˚F outside and everyone but me is freezing.  I get some strange looks when I'm outside taking pictures in shorts and shirt.  This is my kind of weather.

 

Our next port will be Naples.  And HAL has approved getting into port early, around 5PM on the 27th and making it an overnight stay.  That increases their port fees quite a bit because instead of being at the pier for 8 hours they will be docked for 25 hours.  It's partly to make up for the nighttime passage through the Suez but they had no choice in that.  The Canal Authority controls when you go through.  It's a nice idea though.  Naples has great food and going out for a late supper sounds like a good deal. 

 

We had lunch with Debbie and Kees today.  Dinner was such a success that we had to have an encore.  D and I hadn't eaten lunch in the dining room in years.  It was nice but I prefer to see the food I'm selecting.  Helps me avoid the excess carbs because if they make it onto my plate, I'll eat them.

 

Our entertainment was La Musica, a husband and wife duo who sing popular music, Selene Dion, Michael Bouble (sp?), Whitney Houston, etc.  He also plays piano on some of the songs.  They are very talented and the show was great.

 

March 26 –At Sea on the Mediterranean Sea.  Pretty routine day today.  I finished writing about Petra but was unable to send it.  Although AOL does connect it is not reliable.  So the email will sit in the outbox until I can connect.

 

They've been having a dancing with the stars type competition on board.  Passengers pair up with the dancers in the cast.  They've been holding it in the afternoons and I've been ignoring it pretty much.  For showtime tonight they're having the finals and I don't think I'm going to go.

 

March 27 –At Sea on the Mediterranean Sea & Naples, Italy.  Pretty routine day today as well.  I went to the cooking demonstration because the SEH officer Kees Kant is the guest chef.  He's going to make a sauerkraut casserole and I want to see him cook.  As I've said before he's a funny guy and it should be fun.

 

We went through the Strait of Messina and past Stromboli volcano but the clouds were so low that the volcano was totally obscured.  You could see the village on the coast where those totally fearless Italians continue to live.  Another Pompeii waiting to happen.

 

We arrived in Naples at about 6PM and were cleared to go ashore at 6:10.  It's raining and pretty cool so we decided to stay on the ship and have dinner and go to the show.

 

Journey South performed again to a very sparse but appreciative audience.  600 of our almost 1,000 passengers are ashore.  This time they performed an acoustic show with just their guitar and voices.  It was excellent again.

Friday, March 27, 2015

Petra, More Pictures

5818 The first glimpse of Petra through the narrow bottom end of the Siq.  What you're seeing is part of the Treasury.  And yes, when the top is very narrow and the sun is completely obscured it get's dark at the bottom of the Siq.
5848 This is the tomb on the Street of Facades that I was talking about.  You almost don't see the carving because your eyes are so attracted to the colors.
5856 These camel riders are in front of the theater.  Across the wadi you can see some of the simple tombs on the right.  The more ornate tomb high in the center is the tomb of Uneishu.
5858 This is the Petra Theater.  You can see the color changes between the rows.  80-90% of the theater is carved out of solid rock.
5864 Last but not least.  I took this picture of the Treasury on the way out of the wadi.  The sun was much better at that time.  The pointy protrusions on the circular section of the top is the Crown of Isis and just above that is the urn that was thought to contain the treasure.  You can see the remains of the figures carved on the flat surfaces of the tomb.  Lots of Greek and Roman influence on this building.  You can't go inside anymore but it has several large rooms inside.
 

Petra, Jordan a truly remarkable place.

5761b These are the stacked Obelisk Tomb & Bab el-Siq Triclinium.  You can see the three entrances on the lower Triclinium tomb.  Each leads to a separate grave area. The Obelisk tomb is more old style.  The Triclinium has the Greco-Roman features of the later tombs. 

5776a Bab As-Siq (Gate To the Siq) the beginning of the Siq.  You can see the base of the Triumphal Arch on the wall behind the guards.  The protrusion at the top of the column on the left would have been the start of the arch.

5780b Here you can see how the Siq not only narrows at the ground level but gets even narrower as it goes up.  Some parts are pretty dark.

5793 In this picture you can see the Nabataean water control channel at the side of the Siq.

5810 This is all that remains of the camel caravan statues.  You can see the driver's robed legs at the far end, the two sets of camels feet coming toward us and the round bottom of the camel's belly on the wall above.  

 

 

 

 

March 23 – Al'Aqabah (Aquaba) & Petra, Jordan.  This is a new port for us as well as a new country.  Aquaba is the only port that Jordan has.  It's basically a land locked country.  If you look at the north end of the Red Sea you can see two smaller bodies of water sticking up like rabbit ears.  The one on the left leads to the Suez Canal.  The one on the right is the Gulf of Aquaba.  It's bordered by four countries, Egypt, Israel, Jordan and Saudi Arabia.  The Sinai Desert of Egypt makes up the west shore of the ear.  Elat in Israel is almost directly at the top.  Going east from there there's a thin strip that belongs to Jordan and that's the location of Aquaba.  From there on down the east coast belongs to the Saudis.

 

Aqaba has been a port city since at least the Iron Age.  Israel, during the reign of King Solomon, had a ship building location near the present city.  It rose to prominence when a railway was built to connect Aquaba with Damascus, Syria.  Today the city is still primarily involved in shipping.  They have built a ferry terminal here that connects it to Egypt on the western shore.  It carries thousands of cars and trucks as well as 1.3 million passengers.

 

The reason cruise ships come to Aquaba is to allow the passengers to visit Petra and that's exactly what we intend to do.  Petra is a city carved out of the rocky cliffs.  The Nabataeans, who inhabited it, were not happy to just have caves.  They carved whole building into the rock face.  It's also called the Rose City due to the color of the sedimentary rock it's carved into.  It was the Nabataeans' capital city and is now a symbol of Jordan and its most visited tourist attraction.

 

As we were pulling into Aqaba's port I was a little surprised to see how close we were to Elat, Israel.  It's really just across the small tip of the Gulf of Aqaba from Aquaba.  You could almost think one was the suburb of the other.  I realized that, standing on the deck of the Rotterdam I could see Egypt, Israel, Jordan and Saudi Arabia.  The north tip of the Gulf is a crowded place.  Of course, most of the land I can see is in Egypt and Saudi Arabia.  Jordan and Israel have just a narrow strip of the shore.  In the past Elat has been mainly a resort city while Aqaba has been mainly a port.  Israel won't use Elat as a port because Israeli ships would have to go through narrow waters lined with hostile countries to get there whether they came from the north or the south.  On the other hand, Aqaba has been declared a duty-free zone and has attracted not only a lot of businesses but also a lot of tourists and is becoming an important resort city as well as a port.

 

It's hard to decide if I should write a background paragraph or two before plunging into the travel narrative or just go for it.  When I first visited the Cairo Museum and then the temples at Luxor or when I had my first cruise stop in Viet Nam I encountered the same perplexing situation.  I couldn't decide how to start so I couldn't seem to write at all.  Maybe I'll do what I did then and just work on my pictures for a while and let my subconscious solve the dilemma.  Well, it's about 6 hours later and I've decided to do a bit of background and then just jump in.

 

Petra is located in a valley that has easy access north to the Dead Sea but limited access to the Gulf of Aquaba.  It was established in the early 300sBC and it was unknown to the most of the world until Johan Burckhardt came onto it in 1812.  Later it was called "a rose city, half as old at time" in a prize winning poem.  UNESCO described it as "one of the most precious cultural properties of man's cultural heritage" and made it a UNESCO World Heritage Site in 1985,

 

Petra's founders, the Nabataeans, were traders and operated caravans out of Petra.  It is protected by having limited access.  The only way in from the south is through a narrow passage called the Siq.  To the north it was a very long way to anywhere and you had to come through a wadi to get to the city.  A formal fortress was unnecessary because the city was so well located.  It controlled the main trade routes which had to pass through it to get to Gaza (west), Damascus (North), Aquaba (south on the Red Sea) and to the Persian Gulf (east).  If you shipped to the port of Aquaba you had to go through Petra.

 

Petra is located in a valley that is lower than the surrounding hills and I do mean surrounding.  The bowl of mountains is broken up by at least nine wadis, both large and small.  (A wadi is a dry valley that during rains becomes a river.)  Petra is like the drain in your sink, all the water from miles around heads there when it rains.  The Nabataeans devised a unique way of controlling the water that at first ran through the center of their city and during flash floods would cause a great deal of damage.  Essentially they created a man-made oasis.  They developed a series of dams, waterways and cisterns to control and save the water for use later.  In one case they dug a tunnel through solid rock to redirect the water from flowing through the city.  They were so successful at this endeavor that, even in periods of drought, they had excess water to sell and created another source of income.

 

Since wadis usually have a soft sand bottom and walking in them can be tiring.  We came into Petra from the east, following the route that the caravans from Aqaba took.  They came north following Wadi Musa (camels work fine in sand with their snowshoe like paws), the easiest way from the sea to this area.  Incidentally Wadi Musa means 'Valley of Moses' in Arabic.  Nearby is the Ain Musa (Spring of Moses).  It is believed this spring was formed when Moses struck the rock to bring forth water.  Problem is Wadi Musa does not lead into Petra.  As you come up Wadi Musa you are gaining altitude.  At the top of Wadi Musa, to reach Petra, the caravans had to negotiate a winding narrow gorge call the Siq (the Shaft in Arabic).  The Siq is only a little over 9 feet wide in some places, in others it's 10-20.  Some of the sides of the Siq are over 150 feet high.  This natural geological feature formed from a deep split in the sandstone rocks and served as a waterway flowing out of the top of Wadi Musa and into Petra.  To keep it free of water the Nabataeans carved a separate water channel all along the Siq.  This allowed the caravans to use the gorge regardless of the weather.

 

But I'm getting a bit ahead of myself.  It took two hours to drive to the top of Wadi Musa from the port.  The drive is continually gaining altitude, sometimes slowly but always up.  We were passing through very arid country.  As we progressed inland sandstone outcroppings appeared above the sand.  These were mainly in two colors, tan and red.  Sometimes the two colors were arranged in stripes both vertical and horizontal.  These eventually started getting larger until they constituted foothills more than outcroppings.  Part way up we stopped at an overlook to check out the colorful foothills.  It reminded me of some of the parks in Utah.  As we went farther inland they became mountain ranges.  Eventually we reached the town of Wadi Musa, where our guide lives.  Our busses dropped us off in the large bus lot and we walked down to the entrance to the Petra Archeological Park.  After getting our tickets we started our walk into Petra.

 

The first place we passed was the Petra Guest House Hotel where we will be having lunch.  Next we came to the horse cart area.  Here, those who can't or don't want to make the 1.6 kilometer (about ¾ of a mile) walk to the end of the Siq and the start of Petra can hire a two-person horse cart to take them down to the end of the Siq.  The round trip down and back up is $40 but they will ask for another $5-10 "for the horse" which I'm sure they scrupulously pass on to him.  Our guide warned us that if we don't want to walk up from Petra and hire a horse cart for the ride up, the charge will be exactly the same $40+the horse's cut.  There's no discount for one-way.  The Siq is an interesting place and does have some Nabataean and pre-Nabataean items to see so Diana and I elected to walk.

 

The first 400 yards or so is in open space referred to by the Bedouins as Bab el-Siq (Gate of the Siq in Arabic).  You can tell you are going downhill already but it's not very steep.  On the left side are stables where you can get a horse to ride down to the beginning of the Siq, only about 400-600 meters so if you've ridden horses before this is not an attractive offer, the ride is too short.

 

While walking that fairly short distance we encountered our first Petra remnants, the Djinn Blocks.  These blocks of varying shape are carved out of the sandstone outcroppings.  Some are very plain, consisting of a small block atop a larger block.  Some are more ornate with carvings on the sides in the form of temple like columns.  The columns are carved in relief only, they are never fully formed on all sides and the blocks remain solid.  They are named for a type of spirit from Arab folklore.  The local Bedouins believed these blocks were inhabited by the Djinn.  More recent researchers now believe these monuments were memorials or tombs for the dead.  Scattered in the rocks near these blocks there are small, fairly crude cave tombs.  These would have been the final resting place for the poorer classes and are the oldest tombs in Petra, from around the 2nd century BC.

 

The first ornately carved tombs are just a little down the way from the blocks and it's a double header, the Obelisk Tomb & the Bab el-Siq Triclinium.  These tombs are arranged on a limestone hillside, with the Obelisk Tomb above the.  The Obelisk Tomb is named for the four elongated pyramid shaped nefesh (Nabataean symbols commemorating the deceased) arranged on a ledge above the entrance.  This tomb goes about 12 yards deep into the limestone rock.  Inside is an open chamber around which there were 5 burial sites carved into the walls, 2 in each side wall and one in the end wall.  The central chamber was large enough that at least 5 more sarcophagi could have been place there without being crowded.  It had its own water basin caved out of the rock and a water cistern. 

 

The Bab el-Siq Triclinium is a little more complex.  The face of the tomb is carved a significant way back into the rock leaving flat surfaces facing each other in front of the carved face of the tomb, sort of like the wings of a main building might extend further towards the street.  The Tri in the title comes from the fact that the tomb has three entrances leading to separate spaces.  The door in the center carved space leads to the largest tomb.  The door to the left of the main door leads to a smaller space and the door on the right, caved into the rock surface left then the tombs face was carved into the rock leads to a slightly larger space than the one on the left but still very simple.  Because I can see the confusion on your faces from my description, I'll recap.  As you stand facing the large carved face of the tomb, there's a large entrance directly in front of you.  To the left is a smaller entrance also carved into the face of the tomb.  The odd on is on the right.  To face this door directly you would have to turn 90˚ to the right because that entrance is carved into rock left when the main face was carved deep into the rock.  Probably didn't need to say all that because you will see the picture at the top of this entry before you read it.

 

A little way past these tombs the Bab el-Siq ends and the Siq begins.  At the top of the Siq the Nabataeans had a rather large dam to hold some of the water that would have otherwise flowed down the Siq.  They still call this area the Dam.  The local Bedouins call it Bab As-Siq (Gate to the Siq).  The valley narrows very quickly into a gorge.  The Park has posted two men dressed as ancient soldiers with helmets, shields and lances.  At this spot there was a Triumphal Arch over the narrow gap.  You can still see the niches and the start of the arch on the right hand side.  The mixture of red and yellow/tan limestone in the rocks is striking.

 

From here on down into Petra you are in the Siq.  The gorge narrows and then widens and then narrows again.  You have to be a bit careful as the horse carriages are going in and out of Petra and in the narrow spots there's not much extra space.  Fortunately because the gorge is so narrow and made of stone you can hear the horse hooves clopping on the trail long before they get to you.  The drivers earn based on the number of trips so they are moving pretty quickly.  Oddly enough many people don't get the implications inherent in the rapidly approaching hoof beats and the drivers have to yell, "Beep beep!" to get the numbskulls to move over.  Sort of gave me a flashback to Mumbai with all the beeping going on.

 

It's hard to say how long the Siq is because you can never see very much of it at one time.  I'd guess that it's about a kilometer, a bit more than half a mile.  The colorful cliff face and the artifacts carved into them gave you a lot to look at.  In one particularly curvy section we came upon the remnants of a camel caravan relief.  The camel driver's feet and the camel's paws stand on the outer ledge of the old drainage system so for the first four feet they are fully carved.  When the carvers reached the rock above the system the style returns to relief.  All that remains of the carving is the driver from the waist down and a camel's front and back paws and ankles.  In the rock above the gap you can see the camel's body but everything else has eroded away.  The sandstone is not particularly hard in this area although some parts of it seem much less eroded than others.  Could be that some of the carvings are sheltered from the rain.

 

After the camel caravan carving the Siq really narrows and twists until suddenly, in the light across the canyon you can see a sliver of a beautiful building carved out of solid rock, the Treasury.  It's called the Treasury because the later Bedouins who knew about it thought there was a fortune in gems and coins in the urn at the top.  The hundreds of bullet holes resulted from their efforts to dislodge the urn or break it releasing the riches to fall to the valley floor.  It was actually built as a tomb of an important Nabataean king.  Some scholars believe it was later used as a temple.  It's massive.  The façade is 100 feet wide and 141 feet tall.  The unweathered sandstone of the carved part is either a rosy pink or pinkish orange.  You decide.  Without humans in the picture for scale it would look small but in reality it's as tall as a 14 story building.

 

It has two levels.  The ground level looks much like a Greek temple as it has columns with capitals and a parapet over the porch.  Everything is adorned with carved figures and decorations.  The lintel is carved with what looks like wind goblets and vines.  The capitals on the columns are very ornate, much like Corinthian capitals.  The upper level has a cylindrical center section flanked by two rectangular sections.  Each section has four columns; the front two are almost entirely relieved, the back two are only half relieved.  On the surfaces between the columns there are remnants of reliefs that appear to be humans or gods.  They are quite weathered and very smooth.  The lintels connecting the tops of the columns are carved with garlands of fruit, flowers and leaves. 

 

The round central section has a series of spikes around the top that are said to be the Crown of Isis and above that is the urn that was the focus of so many riflemen trying to collect the treasure.  It's a striking sight the most well preserved and impressive artifact in Petra. 

 

We turned right at the Treasury and continued down deeper into the city.  Around the next corner we came to a place where both sides of the canyon were carved with tombs.  This area is called the 'Street of Facades'.  Some were very plain, kind of just an upright rectangular face with a hole for the entry.  Others were more ornate and had temple like shapes.  One in particular caught my eye.  Not because of the shape or the ornate carving but because the limestone rock in that area was swirled with color lines.  Dark red, rose red, yellow, cream and tan stone mixed together in such beautiful designs that you almost missed the fact that this was one of the more intricate tombs on the street.  It had columns and a lintel with parapet but all that was obscured by the colorful rocks.

 

Just past the Street of Facades you come to the city's theater.  Most of it is carved into solid rock but the very front of both sides is freestanding.  Besides carvers there must have been some masons in the city.  It can hold about 7,000 people.  It looks Roman but was carved by the Nabataeans in the 1st century AD.

 

Further down the wadi opens up and you find the city center.  Since this area was not carved in stone but constructed like most cities, not much remains.  On the main street you can see the remains of the columns that lined both sides of it.  We didn't really have enough time to go any farther and be sure we'd get back in time for lunch and the bus

 

We decided to ride donkeys back to the Treasury and walk out from there.  As we walked up the Siq it was pretty tiring.  I'd say we got about 2/3 of the way up when Diana started to need some rest about every 110 yards or so and the only reason I didn't sit down was that I knew I would begin to stiffen up if I didn't remain standing.  One or two horse carts drove past us going into the Siq to their stopping point at the Treasury.  I decided to see if I could flag one down and ride the rest of the way up.  

 

Sure enough a wave of my hand brought one of them to a stop.  I asked if he would take us the rest of the way up to the top.  He said yes, $40.  The guide wasn't kidding when he said that they have a flat rate, two ways, one way or apparently even part way, it's $40.  We said ok and hopped aboard.  You couldn't tell from watching them but the ride is very bumpy.  I took some video on the way up to memorialize our ride.

 

The great thing about riding up is that we were among the first to get to the hotel.  No waiting in the restroom and no long lines at the buffet.  Diana would add, and more time to shop.  By that she wouldn't mean buy, just look.

 

Lunch was good but it wasn't Jordanian food.  Everything was pretty European except maybe the roast lamb.  Most of the deserts are about the same as they have on the ship so I skipped that completely.

 

Diana did some looking in the shops and I talked to some of the ship's crew that got to go with us.  Several of the band members were traveling together.  The HALCats band is very good.  I'm amazed that with so little rehearsal they are able to play complex charts that the performers bring with them.  I'm not a fan of performers using pre-recorded music in their acts.  For some it's necessary but if all they need is a band I like it when they use the HALCats.

 

I've always wanted to visit Petra but was not sure I ever would.  It's an ancient place.  It's listed in records of Egyptian war campaigns.  In Biblical times the Horites and then the Edomites lived in this area.  Josephus (an early historian), Eusebius and Jerome (Both early church fathers) mention the place as do the Dead Sea Scrolls.

 

Petra declined rapidly under Roman rule partly because the trade routes were now sea-based.  In 363 an earthquake destroyed many of the buildings and severely damaged the water handling system.  Later the Arabs took over the area and that ended the city's activity. 

 

T. E. Lawrence, Lawrence of Arabia, was here rallying the Arabs against the Ottoman Empire on behalf of the British.  The revolt of Syrians and Arabians in the Petra area distracted the Ottoman forces and allowed the British to drive them out.

 

 

When we arrived back at the ship the line to go aboard was almost as long as the ship.  That's what happens when you send 10-11 busses on the same tour.  They arrive back at the port very close together and things back up.  Oh well the weather is cool, we're in the shade.  No big deal.

 

Our performer was Richard Bono, a comic juggler.  I'm not a fan of mimes and jugglers but I went anyway.  He was very entertaining and I enjoyed it despite my prejudices.   

Thursday, March 26, 2015

At Sea - 3/19-22

 

March 19 – At Sea-Indian Ocean-Gulf of Aden.  Not much activity today.  Went to a couple of presentations and worked on my photos. 

 

We got some details on the attack in Tunisia today.  Sad that these wackos have to mess everything up for the sane people in their country.  I guess if the sane people wanted to do something about it they could but the nut jobs have backing with a lot of money and are supported by people outside the country.  I guess there's civil war in Yemen too.  Not really a big surprise.  I'll be the Omanis are beefing up their border with Yemen.  The Saudis are doing the  same I'm sure. 

 

Our entertainer for the evening was Woytek, a clarinetist from Poland.  He was very good indeed.  He played a number of classic clarinet tunes by Benny Goodman and Artie Shaw.  One was a score from a duet that Goodman played with Gene Krupa on the drums.  I have to say the HALCat drummer held his own during the song.  He certainly got a workout.  A very good evening. 

 

March 20 – At Sea-Gulf of Aden-Red Sea.  When we turned north to head through the strait into the Red Sea we could see the coast of Yemen about 20 miles or so off the starboard side of the ship. 

 

Local Travel Note: I feel sorry for the good, honest people that have to live through all this mess.  Anyone who doesn't think all these events in all these countries are a coincidence has to be living in a dream world.  Egypt, Libya, Tunisia, Yemen, Syria, Lebanon, Afghanistan, Iran, these are not isolated incidents and it's certainly not ordinary citizens trying to remove a dictator or corrupt regime.  Two months ago our guide in Egypt kept telling us to spread the word that Egypt is safe and people should visit again.  Then a couple of weeks later, another wave of violence. 

 

We were supposed to stop in Egypt on the way back to Rotterdam but that port has been cancelled.  All the people who could have made some money working as a result of the visit are just going to have to do without.  The tourist industry in important to Egypt and a lot of people, hotel and restaurant workers, bus drivers, guides, souvenir salesmen, taxis and ancillary industries are drying up almost completely.  Lebanon used to be the Paris of the Middle East and now it's a mess.  It's just sad.

 

Well, on to the travel stuff.  There's not much of that today.  Pretty normal day at sea.  We were invited to dinner by a ship's officer, Debbie Plewis.  She brought a guest the ships Safety, Environmental and Health (SEH) Officer, Kees Kant.  He's the watchdog to make sure that the ship's operations are all within the law and company policy.  He knows his job could be controversial so he makes sure to establish relationships his fellow crew members so he can approach any potential problem as a mentor rather than a police officer.  Still, the potential exists for his job to make him unpopular with some of the staff but someone's got to be watching.  He's a very witty man with a great sense of humor and warm manner.  I can see why he is a perfect fit for the job.  We have known Debbie for 8 years and sailed with her at least 4 times and on several cruises which proved to be most unusual.  She's an outgoing lady and hilarious in every sense of the word.  (Look it up.  I think you'll be surprised at some of the definitions.)  Debbie is one of those people that I can't really get a good read on.  Sometimes that bothers me but not in this case.  Some people you just like immediately and Debbie, and now Kees, is exactly that.  We were having such a good time at the table that for the first time ever I heard the mealtime is over gong.  One of the doormen (I don't think they call them that anymore.) walks through the ship's public rooms playing a four note xylophone to announce that dinner is served.  What I didn't know is that he walks through the dining room playing the same device when dinner is over and they have to prepare for second seating. 

 

Of course, his second number does not affect the 'come whenever the heck you want' dining area.  Sorry, I know that's not the official name for it, but I personally can't stand it and if there ever comes a time when that's all they offer, my cruising days are over.  Just like a poker tournament, I want a chip and a chair I can count on.  Half of the fun of dinner is getting to know your waiter and his assistant.  They get to know your preferences and you don't have to continually train a new guy.  They can anticipate your needs and that makes dining a much more pleasant affair.  For example, one of our tablemates has some specific and very hazardous food allergies.  The first night she came to the table she mentioned this.  After our orders were taken the waiter came back with a pad and paper and asked her to list all the allergies.  Since then if some dish has an ingredient she shouldn't eat he warns her and they make arrangements to change the dish or select something else.  Obviously, if the dangerous ingredient is cooked into the dish an alternate selection has to be made.  But sometimes the offending item is added as a garnish or sprinkled over the dish.  In that case they just arrange to have that prep step skipped.  Imagine doing that with a different waiter every night.  Yuck!  Granted that's an extreme example but the dining room staff is so good and getting to know them and them getting to know you makes them that much better.  If that doesn't mean anything to you or if you just can't be anywhere on time, then 'As You Like It' dining is for you.  See I do actually know HAL's name for it.  Just something to yammer on about on a sea day.

 

March 21 – At Sea-Red Sea.  Third day at sea.  Saudi Arabia to our right and Sudan to our left.  Not much to pick between them.  We are currently retracing the route we took on our trip out.  Everyone is hoping for a daylight crossing of the Suez Canal this time.  We've done it in daylight and there's not much to see most of the time.  But it would be nice to do it again.

 

This evening's entertainment was the Rotterdam Cast, oops Entertainers, in 'Wait 'til the Midnight Hour'.  It was my favorite show the first time around and I decided to see it again.  This time around I liked it a lot more.  There are two songs in it that I don't care for but that is balanced out by the inclusion of "Stuck in the Middle with You" and a very well done, emotional rendition of "Me and Mrs. Jones", not one of my favorite songs but it was done so well.  I always flash back to my separation from active duty with the US Air Force.  That song was big at the time and I hadn't heard much current pop music while stationed on Crete.  I remember David Clayton Thomas' "Spinning Wheel" was big at the time also.  I had never heard of him overseas.  That and enzymes in laundry detergent.  What??  I had a big culture shock coming back to the states after almost 2.5 years.

 

March 22 – At Sea-Red Sea.  Third day at sea.  Saudi Arabia to our right and Sudan on the left.

 

Our entertainers for the evening were Count Dimas and Woytek in what HAL calls a Variety Show.  Each was excellent just as they were before.

Friday, March 20, 2015

More Pictures, Salalah, Oman

5560 This is the nursery in the Taqah Castle.  The suspension crib is at the bottom right. 
5562 This is the Wali's bedroom.  All the floors in the Wali's private suite are covered with carpets.
5570c This is the castle courtyard from the second floor patio.  The door from the entry gate/waiting room is behind the people at the lower center and the jail is behind the man in the blue shirt.  The Wali's bedroom is in the area where the extension protruding from the left makes it possible to have a larger room.  The far window on the left is the window in the nursery.  The near window is in the women's quarters.
5597 D with Khor Rori Creek in the background.  The ocean is in the distance.
5600a  This is most of the north wall of Sumhuram.  It extends a bit farther to the left.  If you walk to the area where the walls are in 5 layers and turn left you will be at the main gate.